Club utilise des cookies et des technologies similaires pour faire fonctionner correctement le site web et vous fournir une meilleure expérience de navigation.
Ci-dessous vous pouvez choisir quels cookies vous souhaitez modifier :
Club utilise des cookies et des technologies similaires pour faire fonctionner correctement le site web et vous fournir une meilleure expérience de navigation.
Nous utilisons des cookies dans le but suivant :
Assurer le bon fonctionnement du site web, améliorer la sécurité et prévenir la fraude
Avoir un aperçu de l'utilisation du site web, afin d'améliorer son contenu et ses fonctionnalités
Pouvoir vous montrer les publicités les plus pertinentes sur des plateformes externes
Gestion des cookies
Club utilise des cookies et des technologies similaires pour faire fonctionner correctement le site web et vous fournir une meilleure expérience de navigation.
Ci-dessous vous pouvez choisir quels cookies vous souhaitez modifier :
Cookies techniques et fonctionnels
Ces cookies sont indispensables au bon fonctionnement du site internet et vous permettent par exemple de vous connecter. Vous ne pouvez pas désactiver ces cookies.
Cookies analytiques
Ces cookies collectent des informations anonymes sur l'utilisation de notre site web. De cette façon, nous pouvons mieux adapter le site web aux besoins des utilisateurs.
Cookies marketing
Ces cookies partagent votre comportement sur notre site web avec des parties externes, afin que vous puissiez voir des publicités plus pertinentes de Club sur des plateformes externes.
Une erreur est survenue, veuillez réessayer plus tard.
Il y a trop d’articles dans votre panier
Vous pouvez encoder maximum 250 articles dans votre panier en une fois. Supprimez certains articles de votre panier ou divisez votre commande en plusieurs commandes.
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenologi...Savoir plus
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenologi...Savoir plus
This book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999) through the lens of the cognitive scientific paradigm of enacti...Savoir plus
In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson s physical encounter with live...Savoir plus
Pioneers a rich new scholarly approach of applying kensic intelligence theories to Renaissance texts Presents a range of Renaissance writers and think...Savoir plus
Engaging Audiences asks what cognitive science can teach scholars of theatre studies about spectator response in the theatre. Bruce McConachie introdu...Savoir plus
Darwinian evolution is an imaginative problem that has been passed down to us unsolved. It is our most powerful explanation of humanity's place in nat...Savoir plus
Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and ...Savoir plus
This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies-n...Savoir plus
Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simp...Savoir plus
Investigations into how the brain actually works have led to remarkable discoveries of late, and these findings carry profound implications for interp...Savoir plus
Literary studies are at a tipping point. ." There is broad agreement that the discipline is in "crisis"--that it is aimless, that its intellectual ene...Savoir plus
Where science has often been used to explore the questions raised by art, this book does the reverse, suggesting that art can address a problem raised...Savoir plus
Cognition, Mindreading, and Shakespeare's Characters brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakesp...Savoir plus
This book helps to bridge the gap between science and literary scholarship. Building on findings in the evolutionary human sciences, the authors const...Savoir plus
Literary studies are at a tipping point. ." There is broad agreement that the discipline is in "crisis"--that it is aimless, that its intellectual ene...Savoir plus
Engaging Audiences asks what cognitive science can teach scholars of theatre studies about spectator response in the theatre. Bruce McConachie introdu...Savoir plus
Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implici...Savoir plus
This book helps to bridge the gap between science and literary scholarship. Building on findings in the evolutionary human sciences, the authors const...Savoir plus
Darwinian evolution is an imaginative problem that has been passed down to us unsolved. It is our most powerful explanation of humanity's place in nat...Savoir plus
In the first in-depth study of the emotional dimensions of Du Bois's and Emerson's writings on public intellectualism, reform, and race, Schneider off...Savoir plus
This book takes choreographer William Forsythe's choreographic and scenographic processes as a holistic lens through which to view dance as a fundamen...Savoir plus
Using Shakespeare's Hamlet as a test subject and cognitive linguistic theory of conceptual blending as a tool, Cook unravels the 'mirror held up to na...Savoir plus
In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson s physical encounter with live...Savoir plus