
In this pioneering work, first published in 1981, Sunday O. Anozie examines the relevance of structuralism and semiology to literary criticism in general and to African poetics in particular. From an African viewpoint, it examines the roles to be played by structuralism and post-structuralism in the development of the general principles governing poetics and literary creativity in Africa. This title will be of interest to students of literature and literary theory.
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