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Transmedial Landscapes and Modern Chinese Painting

Juliane Noth
Livre broché | Anglais | Harvard East Asian Monographs
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Description

Chinese ink painters of the Republican period (1911-1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world.

Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.

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Contenu

Nombre de pages :
400
Langue:
Anglais
Collection :

Caractéristiques

EAN:
9780674267954
Date de parution :
05-07-22
Format:
Livre broché
Format numérique:
Trade paperback (VS)
Dimensions :
175 mm x 251 mm
Poids :
816 g

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