Describes a universal conceptual approach to the computational science of music
Comprises detailed models of harmony, rhythm, motives, and counterpoint, together with classic examples from the compositions of Beethoven and Schumann
Presents an indispensable basis for computer implementation of musical creativity and analysis of harmonic, motivic, contrapuntal, and rhythmical structures
Offers a unique source to learn about classification theorems and lists of local and global musical structures